Petite Maman was widely praised in international press for its delicate storytelling and emotional precision, with outlets like The New Yorker calling it a “minor miracle” and highlighting its understated approach to time travel and grief. It also premiered at the Berlinale and gathered strong festival recognition, including awards and nominations, (BAFTA nomination among others). Critics consistently praised its minimalist style, natural performances by the Sanz twins, and its poetic exploration of mother–daughter bonds. Overall, reviews emphasize Sciamma’s ability to create a simple yet deeply moving film that feels both intimate and universal.